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Visual Impact Srbija doo

Oblakovska 28
11000 Beograd, Srbija
tel. +381 11 369 00 43
E-mail: info@visuals.rs

Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas


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Canon Novitet

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm
CINE-SERVO T2.95-3.9 PL

Fujinon Noviteti

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
19-90mm/T2.9
Perfect Amira companion

Zeiss Noviteti

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2
28-80/T2.9

RED KOMODO 6K

6K Digital Cinema Camera

Pošaljite upit

All Cinematography

  • RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
  • Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.
  • The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.
  • A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.
  • Getting back to image quality, the KOMODO promises to be among RED‘s finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.
  • Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots which can be hot-swapped for practically unlimited recording in the field.
  • The RED KOMODO 6K certainly impresses with a complete all-in-one cinema camera solution in an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.
  • SENSOR TYPE: KOMODO 19.9 MP SUPER 35MM GLOBAL SHUTTER CMOS
  • EFFECTIVE PIXELS: 6144 X 3240
  • SENSOR SIZE: 27.03 MM X 14.26 MM (DIAGONAL: 30.56MM)
  • DYNAMIC RANGE: 16+ STOPS
  • MOUNT TYPE:
    - ACCEPTS CANON RF MOUNT-BASED LENS ADAPTORS FOR DIVERSE LENS CHOICES
    - SUPPORTS CANON EF WITH FULL ELECTRONIC COMMUNICATION VIA COMPATIBLE CANON RF MOUNT ADAPTERS,
    - AND SUPPORTS MECHANICALLY OPERATED RF LENSES (ELECTRONIC CONTROL OF CANON RF LENSES NOT SUPPORTED AT THIS TIME)
  • MAX DATA RATES: UP TO 280 MB/S USING RED PRO CFAST OR OTHER QUALIFIED CFAST 2.0 MEDIA CARDS
  • REDCODE RAW MAX FRAME RATES:
    - 40 FPS AT 6K 17:9 (6144 X 3240)
    - 50 FPS AT 6K 2.4:1 (6144 X 2592)
    - 48 FPS AT 5K 17:9 (5120 X 2700)
    - 60 FPS AT 4K 17:9 (4096 X 2160)
    - 120 FPS AT 2K 17:9 (2048 X 1080)
  • PLAYBACK FRAME RATES (PROJECT TIME BASE): 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 FPS, ALL RESOLUTIONS
  • BEST AVAILABLE REDCODE SETTINGS:
    - REDCODE HQ, MQ AND LQ AT 6K 17:9 (6144 X 3240) UP TO 40 FPS
    - REDCODE HQ, MQ AND LQ AT 4K 17:9 (4096 X 2160) UP TO 60 FPS
    - REDCODE HQ, MQ AND LQ AT 2K 17:9 (2048 X 1080) UP TO 120 FPS
  • REDCODE RAW ACQUISITION FORMATS2:
    - 6K 17:9 (6144 X 3240), 2.4:1 AND 16:9
    - 5K 17:9 (5120 X 2700)
    - 4K 17:9 (4096 X 2160)
    - 2K 17:9 (2048 X 1080)
  • APPLE PRORES:
    - 4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS
    - 2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS
  • CONSTRUCTION: ALUMINUM ALLOY
  • WEIGHT: 2.10 LBS (WITHOUT BODY CAP AND CFAST CARD)
  • BATTERY TYPE: TWO SLOTS FOR BP-9XX SERIES BATTERIES
  • DC POWER INPUT: +7 TO +17 V DC VIA THE INTEGRATED 2-PIN DC-IN PORT
  • OPERATING TEMPERATURE: 0°C TO 40°C (32°F TO 104°F)
  • STORAGE TEMPERATURE: –20°C TO 50°C (–4°F TO 122°F)
  • STORAGE RELATIVE HUMIDITY:
    0% TO 85% NON-CONDENSING
  • COLOR MANAGEMENT:
    - IMAGE PROCESSING PIPELINE 2 (IPP2)
    - SUPPORTS 33×33×33 3D LUTS
    - SUPPORTS IMPORT OF CDLS
  • AUDIO:
    - INTEGRATED DUAL CHANNEL DIGITAL MONO MICROPHONES, UNCOMPRESSED, 24-BIT 48 KHZ
    - ADDITIONAL DUAL CHANNEL VIA INTEGRATED 3.5MM AUDIO JACK, UNCOMPRESSED, 24-BIT 48 KHZ
  • REMOTE CONTROL:
    - WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION
    - GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT
    - WIRED CONTROL VIA KOMODO LINK ADAPTOR, USING USB-C OR GIGABIT ETHERNET
    - (COMPATIBLE USB-C TO ETHERNET ADAPTER1 REQUIRED) ALLOWING CAMERA CONTROL AND LIVE MJPEG PREVIEW VIDEO FEED
  • MONITOR OUTPUTS:
    - INTEGRATED 12G-SDI WITH 6G-SDI, 3G-SDI AND 1.5G-SDI MODES
    - 12G-SDI: UP TO 4096 X 2160 4:2:2 FOR 60P
    - 6G-SDI: UP TO 4096 X 2160 4:2:2 FOR 30P
    - 3G-SDI: UP TO 2048 X 1080 4:2:2 FOR 60P
    - 1.5G-SDI: UP TO 2048 X 1080 4:2:2 FOR 30P, 24P
    - SMPTE TIMECODE, HANC METADATA, 24-BIT 48 KHZ AUDIO
  • MONITOR OPTIONS:
    - INTEGRATED 2.9" 1440X1440 TOUCHSCREEN LCD WITH PREVIEW AND CAMERA CONTROL
    - WIRELESS LIVE PREVIEW VIDEO FEED VIA 2.4GHZ/5GHZ WIFI FOR FRAMING
  • RED CONTROL:
    - ACCESS FULL CAMERA CONTROLS AND LIVE PREVIEW FROM IOS OR ANDROID(COMING SOON) DEVICES.
    - AVAILABLE FROM THE APPLE APP STORE AND GOOGLE PLAY STORE. RED CONTROL WORKS WIRELESSLY OR WIRED VIA THE KOMODO LINK ADAPTOR (SOLD SEPAREATELY).
RED RED RANGER HELIUM

RED RED RANGER HELIUM
Professional Video | Cinematography

RED DSMC2 GEMINI

RED DSMC2 GEMINI
Professional Video | Cinematography

RED DSMC2 DRAGON-X

RED DSMC2 DRAGON-X
Professional Video | Cinematography

RED DSMC2 HELIUM

RED DSMC2 HELIUM
Professional Video | Cinematography

RED RANGER GEMINI

RED RANGER GEMINI
Professional Video | Cinematography

RED DSMC2 MONSTRO

RED DSMC2 MONSTRO
Professional Video | Cinematography

Sony PXW-FS7M2K

Sony PXW-FS7M2K
Professional Video | Cinematography

ARRI ALEXA Mini LF camera body

ARRI ALEXA Mini LF camera body
Professional Video | Cinematography

Phantom VEO4K PL-RLS

Phantom VEO4K PL-RLS
Professional Video | Cinematography

Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail info@visuals.rs

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