Visual Impact Srbija doo

Oblakovska 28
11000 Beograd, Srbija
tel. +381 11 369 00 43

Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas

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Canon Novitet

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm

Fujinon Noviteti

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
Perfect Amira companion

Zeiss Noviteti

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2

Cinedeck Cineseck extreme special offer

Super 35mm Camcorder + Cinedeck Extreme recorder

Pošaljite upit

All Studio Recorders

  • PMW-F3L
  • Joining the F35 and SRW-9000PL in Sony’s lineup of CineAlta 24p digital cinema cameras, the PMW-F3L Super 35mm Full-HD Compact Camcorder continues the democratization of high-end image capture.
  • The camera’s newly developed Super 35mm-size CMOS sensor offers a variety of advantages over smaller sensors, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.
  • Unlike smaller, broadcast-style sensors or the larger "full-frame" sensor found in some DSLRs, the PMW-F3’s chip is on a par with Hollywood film cameras, in terms of field of view and depth of field.
  • That means complete compatibility with cine-style film lenses and consistency of vision for cinematographers used to shooting on 35mm film.
  • Another advantage of the camera’s highly efficient sensor is its low power consumption--only 24 watts.
  • Not only does this mean a standard 12V battery can last nearly 3 hours, but the low amount of heat the sensor generates offsets the need for an internal fan--contributing to the camera’s extremely light weight (just over 5 lbs).
  • As a result, this is the first CineAlta camcorder designed with a handheld form factor.
  • Using a solid-state workflow based on the XDCAM EX platform, the PMW-F3 records natively to professional SxS media, using the MPEG-2 long GOP codec in an 8-bit 4:2:0 color space.
  • More demanding applications can utilize the camera’s dual-link HD-SDI ports to output to an external recorder in 10-bit 4:2:2 or 10-bit RGB (with upgrade).
  • Meanwhile the combination of four HyperGamma settings with optional S-Log and LUT capability provide RAW-like flexibility to the image data, allowing for increased picture control and dynamic range.
  • An included PL mount adapter strengthens the link between digital cinema and traditional film, providing an efficient means for using any number of professional PL-mount cine lenses--including full compatibility with Cooke /i and Arri LDS technology.
  • Beneath the removable PL adapter, the camera’s native, stainless steel F3 mount provides a foundation for future versatility.
  • Its short flange distance will allow for the development of smaller, lighter zoom lenses as well as compatibility with a wide array of both cine and photo lenses (using optional adapters).
  • Other features--such as variable frame rates, multiple-format recording, slow shutter, and uncompressed PCM audio--make the PMW-F3 an impressive companion to its larger S-35 brethren.
  • Cinedeck Extreme
  • Cinedeck EXTREME is the world’s first camera-mountable recording, monitoring, and playback device.
  • Cinedeck EXTREME captures to high-definition formats, including uncompressed high definition recording, Apple ProRes, Avid DNxHD, and CineForm.
  • It is an extremely capable, upgradeable, highly rugged, portable, direct-to-disk, cinema-grade HD/2K video recorder designed and built by cinematographers for cinematographers.
  • It is compatible with HDMI/HD-SDI/LAN cameras and records to Uncompressed 4:4:4 or 4:2:2 HD, Apple ProRes, Avid DNxHD, and “Visually Perfect” CineForm™ Digital Intermediate files in MOV format via HDMI and single/dual link HD-SDI.
  • It has a built-in 7” high-res preview/focus/playback monitor and physical button interface for all commonly used functions.
  • Record settings and playback transport are accessed via touch screen interface.
  • Records to standard removable laptop SSD for maximum compatibility/reliability and cost-effectiveness.
  • PMW-F3L
  • PL Mount Adapter for compatibility with 35mm Cine Lenses
  • There are also hot shoe electric interfaces for Cooke/i and ARRI LDS.
  • Sony F3 Original Mount for Zoom Lens
  • 23.98P Native Recording / Slow & Quick Motion Function
  • 1920 x 1080 HD recording using the "MPEG-2 Long GOP" Codec
  • Selectable Bit Rates: 35 Mb/s (HQ mode) or 25 Mb/s (SP mode)
  • Multiple-format recording - 1080/720 and Interlace/Progressive switchable operation
  • Slow Shutter Function / High-quality uncompressed audio recording
  • Exceptional workflow flexibility
  • Dual Link HD-SDI option enables 10bit RGB 23.98/25/29.97PsF or 10 bit 4:2:2 108050P/59.94P uncompressed external recording – ideal for integration with highest quality production workflows such as HDCAM SR.
  • The PMW-F3L also supports selectable Gamma, four levels of HyperGamma and S-Log for a wide range of shooting conditions from standard to wide latitude.
  • The PMW-F3L can simultaneously record LUT (Look Up Table) information onto the internal media for additional workflow flexibility.
  • 3G-SDI is available for 10bit RGB 1080 23.98/25/29.97PsF or 10bit 4:2:2 1080 50/59.94P output.
  • Genlock and Timecode Interfaces
  • 3D System Link Option
  • Remote Control Capability / Compact Design
  • Cinedeck extremeCinedeck Extreme Full option includes all Cinedeck Extreme Kit accessoriesPLUS:
  • HiBrite Display;
  • 240 SSD media;
  • EXSync Timecode option
  • Details:
  • Size: 5" x 8" x 3.5"
  • Weight: > 4 lbs
  • Battery Mount:
  • Anton Bauer
  • V-Mount
  • DC Power: Nearly any 9-to-28V DC
  • Monitoring & Display
  • Monitor: 7" (1024×600) touchscreen display for realtime preview, focus, and review.
  • Realtime composite and per-channel histograms, waveform and scope for accurate exposure; available in fullscreen or ovrelay display modes
  • On-screen overlays: grids, crosshairs, safe frames, metadata, and letterboxing.
  • Simultaneous pass through of incoming signal for on-set monitoring.
  • SD TV and VGA display clone for secondary display with interface.
  • Recording
  • Recording Media: Solid State Media
  • Record Time: up to 4 hours on a single disk
  • Uncompressed Recording:
  • RAID SSD or optional external portable RAID via ESATA
  • 1) Continuous recording time depends on resolution, bit depth, camera gain settings; standby time is considerably longer.
  • 2) CineForm is the industry leader in cinema quality video compression, with quality equal or superior to hdcam–sr.
  • Audio On-board 2 channel audio, line/mic level switchable with phantom power
Cinedeck Extreme Full option

Cinedeck Extreme Full option
Post Production | Studio Recorders

Cinedeck Extreme kit

Cinedeck Extreme kit
Post Production | Studio Recorders

Cinedeck Extreme HI-BRITE Kit

Cinedeck Extreme HI-BRITE Kit
Post Production | Studio Recorders

Cinedeck Cinedeck MX

Cinedeck Cinedeck MX
Post Production | Studio Recorders

Cinedeck Cinedeck RX

Cinedeck Cinedeck RX
Post Production | Studio Recorders

Sony DVW-M2000P

Sony DVW-M2000P
Post Production | Studio Recorders

Sony HDW-D1800

Sony HDW-D1800
Post Production | Studio Recorders

Sony PDW-HD1500 XDCAM HD 422

Sony PDW-HD1500 XDCAM HD 422
Post Production | Studio Recorders

Sony PDW-U1 XDCAM Mobile Deck

Sony PDW-U1 XDCAM Mobile Deck
Post Production | Studio Recorders

Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail