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Visual Impact Serbia Ltd.

Oblakovska 28
11000 Belgrade, Serbia
phone +381 11 369 00 43
E-mail: info@visuals.rs

For more information about our services or arranging a demonstration, please contact us.


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Canon New product

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm
CINE-SERVO T2.95-3.9 PL

Fujinon new products

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
19-90mm/T2.9
Perfect Amira companion

Zeiss new products

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2
28-80/T2.9

RED SCARLET-W K5

Contact Us

All Cinematography

  • THE PERFECT STORM
  • Carrying on the legacy of the revolutionary RED ONE®, SCARLET-W brings an unparalleled level of accessibility to content creators everywhere. SCARLET-W combines RED’s intuitive camera design—including integrated mounting points, interchangeable lens mounts, simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD recording formats, intelligent OLPF system, and in-camera 3D LUT outputs—with a RED DRAGON® sensor to provide a solution that blends flexibility and accessibility with high-end performance.
  • ENHANCE YOUR IMAGE
  • The RED DRAGON sensor allows shooters to get the best shot every time. SCARLET-W harnesses the massive dynamic range of the RED DRAGON sensor to produce cinema-quality images rich with natural color. SCARLET-W’s Monochrome camera option gives shooters the ability to capture black and white images that contain enhanced resolution and heightened light sensitivity. SCARLET-W gives you the ability to capture your vision exactly as you see it: 5K 2.4:1 at 60 frames per second (fps), 4K 2.4:1 at 150 fps, or 2K 2.4:1 at 300 fps with REDCODE RAW.
  • FULLY CUSTOMIZABLE
  • RED‘s innovative modular design brings maximum flexibility to every professional, providing adaptability in every situation you encounter. Interchangeable lens mount options give you the capability to change your perspective at a moment’s notice, while the full range of DSMC2™ module adaptors lets you dial in your camera rig to exact specifications.
  • WORKFLOW MADE EASY
  • RED’s commitment to providing a seamless workflow persists with SCARLET-W. RED’s innovative REDCODE RAW recording format, also known as R3D®, enables shooters to maintain visual integrity throughout post production with non-destructive editing capabilities. Compatible with most professional-grade editing programs, REDCODE RAW easily adapts to your preferred system. Additionally, shooters have the freedom to simultaneously capture options in both R3D and Avid DNxHD or Apple ProRes file formats.
  • READY FOR ANYTHING
  • The rugged, durable design of SCARLET-W makes it an ideal option for wherever your journey takes you. Whether you configure your camera to be as lightweight as possible or work with a complex studio configuration, SCARLET-W allows you to feel secure in its abilities to capture cinema-quality images in any circumstance. A Base I/O V-Lock package option comes with the key components necessary for you to get out and start shooting, allowing you to immediately set your production in motion.
  • FUTURE-PROOF YOUR INVESTMENT
  • SCARLET-W’s introduction reinforces RED’s commitment to placing adaptable, high-end creative tools in the hands of professionals everywhere. SCARLET-W offers an upgrade path to WEAPON® and uses the DSMC2 line of accessories—compatible with both WEAPON and RED RAVEN™ cameras—giving shooters the option to move between camera systems without having to purchase all new gear. RED makes OBSOLESCENCE OBSOLETE®.
  • SENSOR TYPE RED DRAGON 13.8 MP Super 35 mm CMOS
  • EFFECTIVE PIXELS 5120 x 2700
  • SENSOR SIZE 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
  • DYNAMIC RANGE 16.5+ stops
  • SIGNAL-TO-NOISE-RATIO 80 dB
  • MAX DATA RATES Up to 140 MB/s using RED MINI-MAG
  • MAX FRAME RATES
  • 50 fps at 5K Full Frame (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
  • 120 fps at 4K Full Frame (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
  • 150 fps at 3K Full Frame (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
  • 240 fps at 2K Full Frame (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
  • PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
  • REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
  • 5:1 REDCODE for 5K Full Frame (5120 x 2700) at 24 fps
  • 9:1 REDCODE for 5K Full Frame (5120 x 2700) at 50 fps
  • 3:1 REDCODE for 4K Full Frame (4096 x 2160) at 24 fps
  • 7:1 REDCODE for 4K Full Frame (4096 x 2160) at 60 fps
  • REDCODE RAW ACQUISITION FORMATS
  • 5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • APPLE PRORES 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps
  • AVID CODECS DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
  • TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB
  • 5K Full Frame (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes
  • 5K Full Frame (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes
  • 4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes
  • CONSTRUCTION Aluminum Alloy
  • WEIGHT 3.5 lbs (BRAIN with Integrated Media Bay)
  • OPERATING TEMPERATURE 0°C to 40°C
  • STORAGE TEMPERATURE –20°C to 50°C
  • RELATIVE HUMIDITY 0% to 85% non-condensing
RED EPIC 6K

RED EPIC 6K
Professional Video | Cinematography

RED RAVEN 4.5K

RED RAVEN 4.5K
Professional Video | Cinematography

RED WEAPON 8K

RED WEAPON 8K
Professional Video | Cinematography

Blackmagic Design URSA 4.6K PL

Blackmagic Design URSA 4.6K PL
Professional Video | Cinematography

Blackmagic Design Pocket Cinema Camera

Blackmagic Design Pocket Cinema Camera
Professional Video | Cinematography

Sony F65

Sony F65
Professional Video | Cinematography

ARRI ALEXA Classic

ARRI ALEXA Classic
Professional Video | Cinematography

ARRI ALEXA SXT

ARRI ALEXA SXT
Professional Video | Cinematography

ARRI ALEXA SXT Studio

ARRI ALEXA SXT Studio
Professional Video | Cinematography

Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail info@visuals.rs

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