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Visual Impact Srbija doo

Oblakovska 28
11000 Beograd, Srbija
tel. +381 11 369 00 43
E-mail: info@visuals.rs

Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas


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Canon Novitet

Canon 17-120mm CINE-SERVO T2.95-3.9 PL
Canon 17-120mm
CINE-SERVO T2.95-3.9 PL

Fujinon Noviteti

Fujinon Cabrio 19-90mm/T2.9
Fujinon Cabrio
19-90mm/T2.9
Perfect Amira companion

Zeiss Noviteti

Zeiss CZ.2 70-200mm/T2.8
Zeiss CZ.2 70-200mm/T2.8

Compact Zoom CZ.2 28-80/T2.9
Compact Zoom CZ.2
28-80/T2.9

Blackmagic Design URSA Broadcast

Broadcast camera designed for live production

Cena: € 3055,00
Cena proizvoda je bez PDV-a

All Studio and OB Cameras

  • URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, 12-bit Blackmagic RAW, and 10‑bit or 12‑bit ProRes and DNxHD recording.
  • Two Cameras in One
    The URSA Broadcast was designed to function equally well as a studio camera, or as an ENG/EFP camcorder for both HD and UHD 4K productions. With the separately available shoulder-mount kit, the URSA Broadcast can slot into a studio sled or be used atop an operator‘s shoulder, ENG-style.
  • Standard Media and Formats
    Media recorded by the URSA Broadcast should need no transcoding. Apple ProRes and Avid DNx can be recorded straight to UHS-II SD cards or CFast 2.0 cards. Just offload the media from the cards, and you can go straight to editing.
  • B4 Lens Compatibility
    While the 4K sensor used in the URSA Broadcast is larger than the familiar 2/3in-type used with traditional B4 glass, a high-quality optical expander built into the mount enlarges the image circle for full sensor coverage. Many high-quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K.
  • HD Downscaling
    For productions only requiring HD resolutions, the 4K image coming off the sensor can be downscaled prior to recording for smooth 1080p or 1080i image rendering. Since the entire sensor is scanned, the full dynamic range of the sensor remains intact and no aliasing artifacts will be introduced.
  • Optical ND Filters
    Spin the ND filter wheel to access 1/4, 1/6, and 1/64 ND filters. These filters are designed in accordance with the URSA Broadcast‘s sensor, ensuring minimal difference in colorimetry.
  • Body Design
    Like traditional broadcast cameras, the URSA Broadcast features familiar external mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder.
  • Slow Motion Recording
    Whether you‘re shooting a sporting event or breaking news story, the URSA Broadcast has you covered for slow motion. To shoot slow motion video, the camera records at higher frame rates and plays back at standard video frame rates.
  • Built-In Audio Recording
    URSA Broadcast has a high-quality microphone and professional audio recorder built-in so you don‘t have to bring a separate recorder. The built-in stereo microphone can be used for recording scratch audio, or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotguns to wireless clip-on mics.
  • Adaptable for Different Lenses
    URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you‘re just starting out you can use low-cost, high-quality EF photographic lenses and then change to more expensive lenses when you‘re ready.
  • Blackmagic OS
    URSA Broadcast features the advanced Blackmagic OS with an intuitive user interface that lets you use simple tap and swipe gestures. Plus, you get many features from the URSA Mini digital film camera if you need to do more advanced programming work.
  • Flexible Power Options
    Right off the bat, the URSA Broadcast features a 4-pin XLR industry-standard power connector that works from 12 to 20V for external power supplies and battery packs. The standard power connector also means it‘s easy to use the camera with existing power supplies and batteries.
  • Camera
    Sensor Size: 2/3 in sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
    Lens Mount: B4 2/3 in
    Lens Control: Electronic control via 12-pin broadcast connector. Control possible via EF mount pins when using optional URSA Mini Pro EF Mount
    Lens Correction: In-camera correction of color fringing when using compatible B4 lenses
    Dynamic Range: 12 Stops
    Shooting Resolutions:
    - 3840 x 2160
    - 1920 x 1080
    Frame Rates:
    - Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported
    - Off-speed frame rates up to 60p
    Built in ND Filters: Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters
    Focus: Focus button turns on peaking, auto focus available using compatible lenses with focus servo
    Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses
    Screen Dimensions: 4 in
    Screen Type: LCD capacitive touchscreen
    Metadata Support: Automatically populated lens data from electronic B4 lenses
    Controls:
    - Touchscreen menus on 4 inch screen
    - Push buttons for other controls
    - 3 assignable shortcut keys on camera and 2 assignable shortcut keys (VTR and RET) on compatible B4 lenses
    Timecode Clock: Highly accurate timecode clock
  • Connections
    Total Video Inputs: 1 x SDI
    Total Video Outputs: 1 x SDI, 1 x SDI Monitoring
    SDI Rates: 1.5G, 3G, 6G, 12G
    Analog Audio Inputs:
    2 x XLR switchable between mic, line and AES digital audio(Phantom power support)
    Analog Audio Outputs:
    - 1 x 3.5mm headphone jack
    - supports iPhone microphone for talkback
    Reference Inputs: Tri-Sync/Black Burst/Timecode
    Remote Control:
    - 2 x 2.5mm LANC input for Rec Start/Stop
    - plus Iris and Focus control using compatible lenses
    Computer Interface: USB Type-C for software updates
  • Audio
    Microphone: Integrated stereo microphone
    Built in Speaker: 1 x mono speaker
  • Standards
    SD Video Standards: None
    HD Video Standards:
    - 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
    - Interlaced output via SDI 1080i50, 1080i59.94, 1080i60
    Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
    SDI Compliance: SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
    SDI Audio Sampling: 48 kHz and 24 bit
  • Media
    Media:
    - 2 x CFast for 4K RAW and ProRes recording
    - 2 x SD UHS-II card slots for HD and Ultra HD recording
    Media Format: Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems)
    Please click here for a summary of compatible media
  • Recording
    Recording Formats:
    - DNxHD 1920 x 1080 and 1920 x 1080i with either film, video or extended video dynamic range
    - Apple ProRes 3840 x 2160 and 1920 x 1080 with either film, video or extended video dynamic range
    - Blackmagic RAW Q0, Q5, 3:1, 5:1, 8:1 and 12:1 at 3840 x 2160 with film, extended video or video dynamic range
    Storage Rates(based on 30 frames per second):
    3840x2160
    - Apple ProRes 444 XQ - 250 MB/s
    - Apple ProRes 444 - 165 MB/s
    - Apple ProRes 422 HQ - 110 MB/s
    - Apple ProRes 422 - 73.6 MB/s
    - Apple ProRes 422 LT - 51 MB/s
    - Apple ProRes Proxy - 22.4 MB/s
    - Blackmagic RAW 3:1 - 127 MB/s
    - Blackmagic RAW 5:1 - 76 MB/s
    - Blackmagic RAW 8:1 - 48 MB/s
    - Blackmagic RAW 12:1 - 32 MB/s
    - Blackmagic RAW Q0 - 76 to 191 MB/s
    - Blackmagic RAW Q5 - 19 to 55 MB/s
    1920x1080
    - DNxHD 220X - 27.5 MB/s
    - DNxHD 145 -18.2 MB/s
    - Apple ProRes 444 XQ - 62.5 MB/s
    - Apple ProRes 444 - 41.25 MB/s
    - Apple ProRes 422 HQ - 27.5 MB/s
    - Apple ProRes 422 - 18.4 MB/s
    - Apple ProRes 422 LT - 12.75 MB/s
    - Apple ProRes Proxy - 5.6 MB/s
  • General
    External Control:
    - Blackmagic SDI Control Protocol
    - iPad control via Bluetooth
    - 2 x 2.5mm LANC for lens and record control
    Talkback:SDI Channels 15/16 and iPhone headset
    Live Tally Indicator: Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder
    Operating Systems Supported:
    - Mac 10.14 Mojave
    - Mac 10.15 Catalina or later
    - Windows 8.1 or Windows 10
    Power Requirements: 1 x External 12V power supply
    External Power Input:
    - 1 x 4-pin XLR port for external power or battery use
    - 1 x 12-pin Molex connector on rear battery plate
    Power:
    Rear camera mount compatible with industry standard V-mount or gold mount battery plates
    Operating Temperature: 0° to 40°C (32° to 104°F)
    Storage Temperature: -20° to 45°C (-4° to 113°F)
    Relative Humidity: 0% to 90% non-condensing
    Dimensions (WxHxD):
    10.07x5.9x5.8in/25.58x14.9x14.7 cm
    Weight: 5.7 lb / 2.6 kg
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Specifikacija artikala je informativnog karaktera. Visual Impact d.o.o. ne odgovara za eventualne greške nastale u opisu proizvoda, greške štampanja i greške prilikom promene cene. Slike artikala su ilustrativne i ne moraju u potpunosti odgovarati artiklima.
Za više informacija o našoj ponudi i zakazivanje demonstracije kontaktirajte nas
na telefon +381(0)11 369 0043 ili na e-mail info@visuals.rs

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